"Bjork captures the vivacity of a very different subject through a series of animated faces, reminiscent of a certain omnipresent orange man. This series is in direct connection to an earlier body of work depicting screaming faces, made during her time spent working at a mental hospital, a personal release while in constant proximity to institutionalized pain. Likewise, her new drawings are saturated to their maximum capacity with anguish and fear, this time as a response to a feeling of post-election paralysis."  - Excerpt from Essay by Rachel Vera Steinberg